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Index

Nicola Porpora: Morte Amara

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'Einarr'

Hunter | Seamstress | Human-Scale Mannequin | Vampire

Cannot be called significantly withdrawn or reticent. Often allows other persons to speak first when applicable. This generally is in order to intercede her own opinion after other thoughts, besides to gain relative advantage on occasion. A thought-oriented demeanor characterises her person, which frequently includes a varying degree of caution and foresight. Often attempts to stay to a level or relatively cheerful demeanor.

Likes

Floral designs
Clear days
Paintings
Glasswork
Sketching
Literary books

Dislikes

Rainy settings
Ice and snow
Direct insults
Outer altercations
Losing direction
Being tricked

Art by kaitou-alice on Instagram | Art by MathematiCool on Toyhouse

History

Uncertain.

As mannequins are occasionally custom built for use by noble persons, it can be assumed that the ashes used in crafting one figure were not entirely from a slaughterhouse.

Trivia

Appears around 20 to 25 typically.

Bone porcelain is a type of porcelain made from the ashes of animal bones. It can be sturdier than other porcelain, aside from water and shock proof.

No internal structures are overall existent. By the extent of inherent durability and strength, despite not typically instigating fights, she can cause considerable harm without significant need for self-preservation.

It is likely that gender, as of appearance, does not have much importance. She can assume many appearances potentially depending on the amount of ash, or dust available to manage her structure.

Tricking other persons has potentially occurred through this means.

Despite capability, often tends toward more nondescript or unassuming visuals in order to blend or to otherwise catch others off guard.

'Einarr' as a name is possibly ironic; while likely one that was self-ascribed. It is not likely she has comprehension of how she was prior.

As significant dust or ash may be left behind following degradation, her clothing may form from related material. On a miniscule scale: grey, white, or shade-oriented clothing builds up from ceramic fibres.

Hues may exist occasionally, which depends on what kind of materials were gathered or ground down by her.

May or may not care about harming or infecting others. Risk may exist regardless when applicable: whatever the intent.

Does not eat overall. This is unnecessary, aside from replacing lost mass or adding to mass for clothing purposes. Being bitten or cut by her still means vectoral spread potentially.

Consumes pigments, aside from bones, bone meal, blood meal, and bone marrow.

Travels frequently, although for monetary purposes she has on occasion taken up sewing work for minimal payment. Being dismissed after a week or fortnightly did not cause complication.

It is likely she has been ‘killed’ and similarly ‘returned’ multiple times. This may correlate to her current nondescript appearance.

Blood from persons and animals killed or drained is often stored in her hollow interior. This can cause varied infection, concerning persons attacked but not killed.

Einarr is potentially characterised by a self-promoted and fed strain of ‘vampirism’. It is likely one that can be dormant for years inside or outside of a living system by extent.

Certain viruses can last on surfaces for up to several years. The varient she propogates is dubious in longevity.

Porcelain is a surface that can retain microorganisms and equivalents. Relevant vectors may exist around her person, ingrained in overall structure. This can mean altercations may result in inhalation and infection of opposing parties, through resulting dust.

It is unclear how much of an effect she has had on persons encountered.

Although her clothing is realistically safe from vectors; aside from being a tactile hazard; her teeth are usually or at times infectious.

Occasionally warns people who are not ‘a nuisance’ or similarly discounted to not make contact with her, which may happen without permission, or has more chance to happen in regard to unfamiliar persons.

She is analogous to a human person in that she can ‘be cut’ (break) and ‘bleed’ (from those cuts). Despite that, there are still molecular differences.

Can be described as a moving urn.