Index

Emile Waldteufel: Pluie de Diamants Op. 160

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Kerínthē Makri

Nun | Nurse | Nymph

A steadfast individual who attempts to take charge where necessary. Finds necessity in keeping busy, typically occupying her time with work or hobbies. This distraction is not constant. At times she lapses into thought when lacking capacity to be active. In that regard, a muted energy characterises her person, focus and attentiveness appearing a central drive in most of her decisions. Diverting from a task is however not difficult, her mentality typically not obdurate. Consideration is present, but also sensibility.

Likes

Reading

Poetry

Sewing

Prayer

Painting

???

Dislikes

Torrid weather

Wasting resources

Stubbornness

???

???

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Art by lhadybug on Deviantart

History

A local. Resides in the priory.

Evidently has lived in Oraran for a long duration.

Trivia

A nun of the Order of the Chant of Daybreak / Order of the Ecclesiastic Office for the Dawn Hours / Ordo Canticinium Matutinum Horarum, or The Order of the Canticles of the Morning Hours.

As part of her services, she provides communal healthcare for persons who can and cannot pay for private care.

As an established nun, she takes precedence over various matters about the priory. Along with other members of the present clergy, there is a focus on maintaining the interests of the laity, aside from adhering to her own values and practices in supporting the infrastructure of the church and priory.

When capable, she indirectly takes part in liturgy through her crafts and in prayer. The chants that are organised for service hours are often heard through the walls of the priory, which stands near the church itself.

Often sews and weaves. This is a practice that other nuns habituate. Many of the resulting garments are often passed by one or more clergywomen to the nearby village, where these are sold or distributed further. Those that are not sold are typically religious in basis, and meant for use by priests and nuns.

The path to the market sellers are usually brief, and without significant delay. A degree of formality is necessitated.

Painting typically involves religious themes, but at other times Kerínthē assumes a landscape direction, noting by memory what she has seen or might have seen.

Appears to have an affinity for water and plant growth, fitting her heritage. At times gathers fresh water for varying use by other nuns or the laity, which can be integral for cleanliness and other purposes.

Influence is a factor, although minute. Filtering water is not difficult, albeit involves a duration of focus. She often utilises a wooden tub, if not smaller pails. A container of it is usually distributed after.

Often sketches her thoughts, if not directly writing what she is thinking in a journal.

Although not illiterate, it can be better in some cases to depict scenery in her mind. Despite this, she occasionally adds words to the side of a drawing.

Appears artistic to a considerable degree, and adept at what she practices. It has involved a duration to reach the skill achieved, but not exhaustively.