Register | Padua, Veneto, Italy
The individuals recorded live in a world topographically mirroring that of Aliud.
It has many names but is generally called 'Earth' locally.
Padua is a city that features a mixture of architectural styles, ranging from medieval to modern structures. Romanesque, medieval, Renaissance, and gothic styles are prevalent in many localities within the city boundaries. 14th century frescoes are preserved in the buildings within Padua's centre. These were painted by various historic artists, including the anonymous person Giotto di Bondone. Giotto designed the art which exists within the Scrovegni Chapel, a small church which has existed since the start of the 1300s.
A number of churches as well as other historical sites are present throughout Padua. Notably, the botanical garden in the northeastern part of Padua, and the University of Padua have existed for centuries. The Orto Botanico di Padova is the oldest recorded academic botanical garden that still remains where it originated, having been founded in 1545 by the Venetian Republic. The University of Padua was founded in 1222 by students and teachers from the University of Bologna, and can be considered the second oldest university in Italy.
A compounded medieval market hall, town hall, and palace of justice, the Palazzo della Ragion, exists at the centre of Padua. The Palazzo della Ragione formerly housed the city's courts on the upper floor, and currently features a market that has been mostly active since 1219 CE. A fire and tornado have damaged the building throughout its history. The fire occurred in 1420, and the tornado in 1756. The artwork and architecture have differed through renovations, although 13th century paintings related to Pietro d'Abano, which depict his astrological theories, are still present within the structure.
A city square, Piazza dei Signori, features a loggia or an outdoor covered gallery. The Gran Guardia and Palazzo del Capitanio are the work of the Veronese architect and sculptor Giovanni Maria Falconetto. Both date from the 15th and 16th centuries in construction.
Basilica Pontificia di Sant'Antonio di Padova, the Basilica of Saint Anthony of Padua, is a church that has existed since 1232. It began construction one year after the death of Saint Anthony, and was completed in 1310. Many persons travel to the church as pilgrimage. It is locally known as il Santo, and is one of the national shrines recognised by the Church hierarchy.
Many villas exist within the area, either incorporated into the grounds of Padua or present in the terrain surrounding the city.
The rivers Bacchiglione and Brenta exist nearby the city. Canals related to both water sources extend through parts of the terrain.
As other cities in Italy, nightclubs, concerts, sagre (seasonal food festivals), mercati (street markets), and local enoteche (wine stores) occur on many streets, which can be an involvement, if not a reason for difficulty on the part of isolated individuals.
The setting is one where what is 'unreal' is unconsciously blocked from awareness by most persons.
Due to technical 'nonexistence', life can be difficult for many that fall outside of overall perception.
This has resulted in relative communities functioning alongside the general populace. Activity is present, both socially recognised and unperceived.
Persons who are more attune with 'fantastical' factors are aware of unnoticed occurrences.
A number attempt to keep interconnections stable and individuals existent, aware of the complications that can otherwise result.
Not everything is without fault despite this, a factor which is compounded by surrounding complexity.
Other factors exist which pose a hazard to all sides of activity.
Risk is ambiently present through variably appearing phenomena, factors which are often centred around larger populations on a worldly scale.
Phenomena is, by extent, routinely sought after and abolished by more capable individuals, as disappearances on both sides are otherwise more likely.
It is assumed by current practitioners that the capability to perceive what is 'other' has phased out from current populations.
Individuals that can be considered 'other' typically remain within the guidelines presented by local law, reducing related complications.
Within the spheres of communication that exist outside the boundaries of what is typical, witches and other practitioners are regulatory of matters, and act as supporting parties for those who cannot otherwise depend on hospitals and further help.
Practitioners vary in behaviour. Sometimes persons choose to be ostentatious in wear, but at other times blending is a decision. Cosplay and other clothing that can be considered 'odd' is typically relevant when not remaining nondescript.
Practitioners being objectively 'odd' in dress has a couple important purposes. Being ignored or avoided is more likely, and it can be easier for individuals who are objectively 'other', whether local or from other locations, to know who to speak to regarding help or communication.